The Sacred Mandala of Tabriz
1961-1964 Tabrizian One of Kind Piece
Vintage Religious Folk Art Tapestry
Discover a singular work of art from the storied looms of Iran. This exquisite pictorial tableau rug is a testament to the unparalleled virtuosity of Persian weaving, transcending the function of a floor covering to become a hand-knotted masterpiece for the wall.
Each thread of silk on silk is meticulously hand-tied, creating a level of finesse that renders the figures and scene with vivid, lifelike refinement. More than an artifact, it is an opulent heirloom, bearing the inimitable tradition of one of the world’s most ancient and revered craft cultures. It stands as an exemplary fusion of narrative art and fiber artistry a truly timeless treasure.
Rugs Deminsion:
200x 200 DAI cm
100% Mulberry silk
The Vision of 1961
The year was 1961, a time when the artistry of the region was reaching a peak of refined detail. Tabrizian didn’t just want to create a portrait; he wanted to create a visual cathedral. He spent weeks sketching the 25 central panels, his pen moving with the precision of a jeweler. He envisioned a “life in miniature,” where one could rotate the circle and witness the entire journey of Jesus and Saint Mariam.
The Journey from Ink to Thread: 1961–1964
After the drawings were finalized in 1961, the design was handed over to the master weavers and embroiderers of Tabriz. In this historic Iranian city—famous for having some of the most skilled textile artists in the world—the transition from paper to fabric began.
For three years, the rhythmic sound of needles passing through cloth filled the workshop. Every petal in the teal border and every expression on the faces of the saints was meticulously rendered. By 1964, the work was finally completed.
The Vision of 1961
The year was 1961, a time when the artistry of the region was reaching a peak of refined detail. Tabrizian didn’t just want to create a portrait; he wanted to create a visual cathedral. He spent weeks sketching the 25 central panels, his pen moving with the precision of a jeweler. He envisioned a “life in miniature,” where one could rotate the circle and witness the entire journey of Jesus and Saint Mariam.
The Journey from Ink to Thread: 1961–1964
After the drawings were finalized in 1961, the design was handed over to the master weavers and embroiderers of Tabriz. In this historic Iranian city—famous for having some of the most skilled textile artists in the world—the transition from paper to fabric began.
For three years, the rhythmic sound of needles passing through cloth filled the workshop. Every petal in the teal border and every expression on the faces of the saints was meticulously rendered. By 1964, the work was finally completed.
Acquisition History
In 1997, this piece was rediscovered and acquired in Iran by the Director of 11 Rugs Gallery. Its preservation since that time ensures that the vibrant teal dyes, the hand-lettered English inscriptions, and the original scalloped red border remain in remarkable condition, serving as a bridge between the artist’s 1961 vision and the modern collector.
Blue-Chip Persian Heritage: Z. Abiv Tabrizian Pictorial Rug (1961–1964)
Now appearing on the world stage in 2026, the piece has reached a current binding price of R****** contacts us for details. Its impeccable provenance and the unique three-year labor of its creation make it a blue-chip investment for collectors of religious art and historic Persian textiles alike.
Acquisition History
In 1997, this piece was rediscovered and acquired in Iran by the Director of 11 Rugs Gallery. Its preservation since that time ensures that the vibrant teal dyes, the hand-lettered English inscriptions, and the original scalloped red border remain in remarkable condition, serving as a bridge between the artist’s 1961 vision and the modern collector.
Blue-Chip Persian Heritage: Z. Abiv Tabrizian Pictorial Rug (1961–1964)
Now appearing on the world stage in 2026, the piece has reached a current binding price of R****** contacts us for details. Its impeccable provenance and the unique three-year labor of its creation make it a blue-chip investment for collectors of religious art and historic Persian textiles alike.